For nearly twenty years, Rigo 23 has created conceptually complex created murals, paintings, drawings, and performances, conducted interventions and published zines all of which have advocated for social and political change. His site-specific installation for the New Museum is the newest in a series of works that take as their subject political prisoners such as Leonard Peltier, Geronimo ji-Jaga, Mumia Abu-Jamal, and the Angola 3. Entitled The Deeper They Bury Me, The Louder My Voice Becomes, the work is inspired by the words of Herman Wallace, a member of the Angola 3. Wallace, together with Albert Woodfox, began the first prison chapter of the Black Panther Party in 1971 at the Louisiana State Penitentiary, also known as Angola. Robert H. King joined them when he was transferred to the prison after being falsely accused of a crime in 1972. The Angola 3 fought for prison reform from within the prison system by a variety of methods. They staged hunger strikes to assure that prisoners were handed their meals (rather than having them served on the floor), they protected young prisoners from sexual predators, and perhaps most importantly, they insisted upon equal rights for all prisoners.
The Deeper They Bury Me, The Louder My Voice Becomes provides a sensory experience, highlighting the confinement of a kind of “non-space” in the museum and challenging visitors with views that mimic those confronting over two million prisoners in the United States, home to the world’s largest penal system. This installation steers the viewer to an unfamiliar place—such as a restricted prison cell—to allow individual contemplation as well as the possibility of a collective conversation about the underlying politics of our justice system. Wallace’s words, reiterated in the title of Rigo 23’s new work, reverberate between the narrow walls of the Shaft Project Space, but also extend beyond the confines of the New Museum to alert the public to the plight of political prisoners worldwide.